Ethnic Cultural Codes in the Visual Semiosis of Crimea

The subject of the study is ethnic cultural codes that are broadcast in visual semiosis decorative and applied art architecture Crimea. object various groups research uses methods semantic, semiotic artistic analysis traditional images, method previous studies, synthesis conclusions regarding formation a unified Crimean style semiosis. In study, author considers aspects topic: morphology semantics elements Crimea their belonging to particular code cultures; polyethnicity architectural decor. emphasis placed on multiculturality process forming universe main are: 1. multicultural ecumene due its geographical location, interaction territory generated processes, ranging from reception integration, which led unique arts. this were details peoples who inhabited first centuries our era present. 2. Ethnic defining identification presence certain national culture symbols characteristic group. Over time, they have changed experienced mutual influence, but most persistent them still identified as and/or religious culture. 3. scientific novelty consists fact for time conducts semantic pictorial Crimea, identifies individual codes, analyzes genesis, commonality differences part single stylistics.